Museums and Art

Venus and Cupid, Lorenzo Lotto

Venus and Cupid, Lorenzo Lotto

Venus and Cupid - Lorenzo Lotto. 92.4x111.4

Lotto is one of the most interesting, versatile and original artists of the Italian Cinquecento. Perhaps the picture was painted at the request of the nephew of the artist Mario dArmano. The scene, typical of seemingly for Lotto, seems to be rather complicated from the iconographic point of view, giving opportunities for many interpretations. The simplest is the one that interprets the work as an allegory of happiness: the iconographic structure of the work, presumably written on the occasion of the wedding, directly corresponds to the classical epital.

Dominates the composition figure of Venus (her portrait resemblance to a bride is not ruled out), whose head is crowned with a magnificent diadem with a wedding veil. The conch, rose petals, which seemed to have just landed on her bosom, and myrtle are classical symbols that identify the goddess. Other details of the composition are associated with love and fidelity: myrtle garland and censer, red cover, ivy. Cupid pees through a myrtle wreath, which means wishes for fertility and a happy fate for the union.

Foreground depicted snake, almost invisible among the folds of drapery on which Venus lies. Some tend to associate it with a sense of jealousy. But according to ancient beliefs, this reptile was a phallic symbol associated with Mother Earth, and is here an allegory of happiness and fertility.

In the background, behind the head of Venus, attract attention ivy sproutswrapped around a tree. The main characteristics of climbing plants is that they are evergreen and grow by “hugging” tree trunks. Ivy was associated with manifestations of love and friendship, becoming a symbol of fidelity and eternal love.

The artist was able to wonderfully display bold expression and craftiness. Cupid. On the head of the faithful companion of Venus is a wreath from myrtle (sacred to the goddess of the plant), revered in antiquity as a symbol of fertility. This interpretation is supported here by the gesture of a divine boy, which marks a happy and fruitful union.


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